THE STATISTICIAN’S GUIDE TO TRADE TEST COLOUR FILMS

by

Andrew Keys

 

The BBC had no particular pattern for Trade Test Colour Film scheduling, apart from certain slots where a longer film would not fit the time allotted. This becomes clear in the following tables, where a film like “Toehold on a Harbour” was shown over a hundred times during 1968, simply because it fitted the first morning slot at 10:43am – it being only ten minutes in duration. “Spring in Color” is recalled due to it being the shortest film in the catalogue, which again made it perfect for the same regular time slot - usually 12:23. Of course, as the years passed, a more settled schedule appeared which allowed for the films to run with some time to spare, so these specially selected ‘short films’ dwindled somewhat.

 

As for rotation, films were generally selected at random, programmed a week ahead and then given as a daily list in that day’s ‘Service Information’. This allowed us to decide to stay in until “Multiplicity” came on again for the fourth time that week, thus providing a time slot to go out and play football in the street. Then we would return in time for “Light” because it was a bonkers film and worth coming in for! A new film would receive blanket coverage, being shown each day for anything up to three or four weeks. Some films were rested, then resurrected some six months down the line, and some appeared to be joined at the hip –seemingly always being shown together, one following the other in consecutive slots: “Study in Steel” and “Something Nice to Eat” were one such pair.

 

Purely from a fan point of view, it seems that quality did count above quantity when it comes to recall; for example, most true devotees go misty eyed at “Oil Underground”, even though its total showings were dwarfed in any one year by any number of films. At the same time it is no surprise to find enthusiasts knowledgeable about such numbers as “Evoluon” and “Paint”, simply because they were good films and they were shown so often over such a long time span. People struggle to recall “Japan - The Beautiful”, even though it was among the most shown films in 1971.

 

THE GOLDEN ERA OF TRADE TEST COLOUR FILMS

 

The “Golden Era” of Trade Test Colour Films ran from 21st August 1967 until 24th August 1973.  Let’s start by having a look at the Top 20 most-shown films each year over that period. 

 

The right-hand column of each table indicates the number of transmissions that year.

 

1967 TOP 20:

 

1. PROSPECT FOR PLASTICS

2. THE CAPTIVE RIVER

3. OVERHAUL

4. COUPE DES ALPES

5. OMNIBUS FOR ALL

6. ROYAL RIVER

7. DIAVOLEZZA

8. BEAUTY IN TRUST

9. NORTH-WEST 200

10. OIL UNDERGROUND

11. A JOURNEY INTO THE WEALD OF KENT

12. STORY IN THE ROCKS

13. SKYHOOK

14. COLOUR TELEVISION

15. PEACEFUL REVOLUTION

16. PEMBROKESHIRE – MY COUNTY

17. BLOOD CAN WORK MIRACLES

18. LAND RECLAMATION

19. THE SMALL PROPELLER

20. NETWORK

74

60

59

58

57

54

47

42

32

30

21

21

20

19

19

18

17

11

10

9

 

The totals are small as we are only looking at transmissions from August 21st.  Films that had originally been shown before the start of the “Golden Era” get the highest placings: “Prospect For Plastics” (a 1964 vintage) had regular slots, as did its Shell sisters, “Coupe Des Alpes” and “The Captive River”.

 

1968 TOP 20:

 

1. PAINT

2. TOEHOLD ON A HARBOUR

3. THE SMALL PROPELLER

4. BIRTH OF A RAINBOW

5. CASE HISTORY

6. ATLANTIC PARKS

7. STORY IN THE ROCKS

8. PROSPECT FOR PLASTICS

9. PEACEFUL REVOLUTION

10. CROWN OF GLASS

11. THE SPLENDID DOMAIN

12. CANADIANS CAN DANCE!

13. HOW A MOTOR CAR WORKS – THE ENGINE

14. VILLA ‘MON REVE’

15. COLOUR TELEVISION

16. ON THE SAFE SIDE

17. NETWORK

18. IT’S THE TUBE THAT MAKES THE COLOUR

19. BEAUTY IN TRUST

20. IMPRESSIONS OF EXPO ’67

107

104

93

83

73

73

71

71

66

64

62

62

57

54

53

48

48

48

48

47

 

If you tuned in on any given day at 10:43, the likelihood was that you would witness some miserable old bloke giving the ‘thumbs down’ to Wellington, as “Toehold on a Harbour” would generally be on. If not, then either “Diesel Trainride” or “Colour Television” would suffice. But with the introduction of the classic film, “Paint”, the schedulers had something which they could put on all year round every other day or so, which is truly ‘blanket coverage’. The BBC must have been a bit hard up, as “Canadians Can Dance!” made the top 12.

 

1969 TOP 20:

 

1. EVOLUON

2. AMSTERDAM

3. SPRING IN COLOR

4. RUN AWAY TO SEA

5. IMPRESSIONS OF EXPO ’67

6. THE VANISHING COAST

7. CROWN OF GLASS

8. THE GOLD MINERS

9. JAPAN – SEASON BY SEASON

10. ATLANTIC PARKS

11. A FLIGHT OF FANCY

12. BIRTH OF A RAINBOW

13. THE SMALL PROPELLER

14. GIUSEPPINA

15. HIGHLANDS IN THE SUN

16. PAINT

17. BRITAIN

18. PROSPECT FOR PLASTICS

19. THE HOME-MADE CAR

20. THE CAPTIVE RIVER

90

86

77

75

75

59

58

57

57

56

56

55

54

50

49

47

46

45

44

41

 

Evoluon” cracked 90 in its debut year, which shows the regularity of selections for the famous 12:23 slot. “Spring in Color” had been the main user of that slot, but didn’t feature much elsewhere, whereas “Evoluon” cropped up all over the place.  In other news, “Amsterdam” received heavy rotation as it made its entry here, and even vintage numbers like “The Captive River” managed to scrape in with a decent haul of showings.

 

1970 TOP 20:

 

1. THE SEA OF TRIESTE

2. ONE JUMP AHEAD

3. ALGERIAN PIPELINE

4. ENCHANTMENT OF CAPRI

5. A PLACE TO LIVE

6. SOMETHING NICE TO EAT

7. SOUVENIRS FROM SWEDEN

8. THE GRASS GROWERS

9. WE’VE COME A LONG WAY

10. AMONG THE PELICANS

11. EVOLUON

12. RIDE THE WHITE HORSES

13. PAN-TELE-TRON

14. PAINT

15. STUDY IN STEEL

16. BRITAIN

17. ATLANTIC PARKS

18. TRANSPORT-ABILITY

19. SPRING IN COLOR

20. NORTH SEA QUEST

61

59

59

57

52

52

52

50

47

46

45

44

44

44

43

42

41

40

40

40

 

There were lots of transmissions of “The Sea of Trieste”, which made its debut this year – it’s just a pity that no-one watched it! Worse still, no-one kept it either, as it has now completely vanished, and continues to defy collectors. The same is true of “Enchantment of Capri”, which had its high water mark in 1970. More new entries clogged up the upper reaches of the chart, although “Evoluon” and “Paint” continued their rising count. There was no sign of the terrifying “Kermesse Fantastique”, which died out this year, as did “The Captive River” and “Powerboat ‘66”.

 

1971 TOP 20:

 

1. CROSSROADS OF CIVILISATION

2. JAPAN – THE BEAUTIFUL

3. THE SHADOW OF PROGRESS

4. A FLIGHT OF FANCY

5. CANTAGALLO

6. LAND OF THE SUN RETURNING

7. SURF BEACH

8. FACES OF AUSTRALIA

9. SPRING IN COLOR

10. RIDE THE WHITE HORSES

11. THE CHOICE

12. SOMETHING NICE TO EAT

13. THE SEA OF TRIESTE

14. DIVERTIMENTO

15. ATLANTIC PARKS

16. WE’VE COME A LONG WAY

17. ONE JUMP AHEAD

18. PAN-TELE-TRON

19. BULONG AND BOLA

20. THE SMALL PROPELLER

75

64

62

62

60

59

57

56

53

53

51

51

49

49

48

45

45

45

44

42

 

There were higher totals still this year, as a full calendar of six-days-per-week took place. As usual, new entries filled the top three slots, although “Japan – The Beautiful” only featured in 1971 alone before withdrawal. “A Flight of Fancy” generally fenced with “Spring in Color” to fit in any tiny time slot that was going spare, with “Divertimento” helping out if necessary. It was a wonderful year for Ian Shand, but a rubbish one for “Story in the Rocks” and “The Vanishing Coast”, which promptly vanished!

 

1972 TOP 20:

 

1. MULTIPLICITY

2. LIGHT

3. BEHIND THE SPACEMAN

4. DIVERTIMENTO

5. SURF BEACH

6. PAINT

7. ATLANTIC PARKS

8. LAND OF THE SUN RETURNING

9. A JOURNEY INTO THE WEALD OF KENT

10. HOW A MOTOR CAR WORKS – THE ENGINE

11. ONE JUMP AHEAD

12. SOMETHING NICE TO EAT

13. CROSSROADS OF CIVILISATION

14. THE CHOICE

15. CROWN OF GLASS

16. RIDE THE WHITE HORSES

17. CANTAGALLO

18. PAN-TELE-TRON

19. STUDY IN STEEL

20. THE SMALL PROPELLER

64

61

53

40

38

38

37

37

36

35

35

34

33

33

33

33

32

31

30

29

 

Increased numbers here – the last full year of Trade Test Colour Films. January saw the last Saturday used for TTCFs, which overall presented lower averages. Again, the top three were new introductions this year, and were given ample showings before settling down into a regular rotation. At last, it was another a bumper year for “A Journey Into the Weald of Kent”, but alas “Prospect for Plastics” and “A Flight of Fancy” were both withdrawn.

 

1973 TOP 20:

 

1. THE UNSPOILT LAND

2. THE TIDE OF TRAFFIC

3. HOW A MOTOR CAR WORKS – THE ENGINE

4. CROSSROADS OF CIVILISATION

5. IT’S THE TUBE THAT MAKES THE COLOUR

6. ROUTE BURN

7. THE HOME-MADE CAR

8. SMALL SMOKE AT BLAZE CREEK

9. MULTIPLICITY

10 A JOURNEY INTO THE WEALD OF KENT

11. PAINT

12. THE SHADOW OF PROGRESS

13. OIL UNDERGROUND

14. THE NORTH SEA QUEST

15. BULONG AND BOLA

16. CROWN OF GLASS

17. THE CHOICE

18. DEVON – A COUNTY FOR ALL SEASONS

19. EXPO ’70

20. LAND OF THE SUN RETURNING

31

29

28

26

26

26

25

24

24

23

23

22

22

22

22

22

21

21

21

20

 

1973 wasn’t a complete year, with no films shown after August 24th.  It’s no surprise that the top two placings were new films, which enjoyed blanket coverage. “Multiplicity” kept its momentum going until the end, as did the old stager, “Paint”.

 

“GOLDEN ERA” OVERVIEW

 

Looking now across the whole of the “Golden Era” (21st August 1967 until 24th August 1973), here’s a complete listing of the number of times each film was shown in descending order.

 

1. PAINT

2. THE SMALL PROPELLER

3. PROSPECT FOR PLASTICS

4. ATLANTIC PARKS

5. CROWN OF GLASS

6. BIRTH OF A RAINBOW

7. EVOLUON

8. HOW A MOTOR CAR WORKS – THE ENGINE

9. GIUSEPPINA

10. SPRING IN COLOR

11. THE HOME-MADE CAR

12. BEAUTY IN TRUST

13. A FLIGHT OF FANCY

14. BULONG AND BOLA

15. STORY IN THE ROCKS

16. ONE JUMP AHEAD

17. IMPRESSIONS OF EXPO ’67

18. A JOURNEY INTO THE WEALD OF KENT

19. STUDY IN STEEL

20. ON THE SAFE SIDE

21. THE CAPTIVE RIVER

22. BRITAIN

23. IT’S THE TUBE THAT MAKES THE COLOUR

24. NORTH SEA QUEST

25. RIDE THE WHITE HORSES

26. SOMETHING NICE TO EAT

27. DIVERTIMENTO

28. HIGHLANDS IN THE SUN

29. OIL UNDERGROUND

30. WE’VE COME A LONG WAY

31. ALGERIAN PIPELINE

32. ROADS TO ROAM

33. CANADIANS CAN DANCE!

34. CROSSROADS OF CIVILISATION

35. SKYHOOK

36. TRANSPORT-ABILITY

37. PAN-TELE-TRON

38. PEACEFUL REVOLUTION

39. THE SPLENDID DOMAIN

40. AMSTERDAM

41. LAND OF THE SUN RETURNING

42. CASE HISTORY

43. SURF BEACH

44. THE GRASS GROWERS

45. THE SEA OF TRIESTE

46. SOUVENIRS FROM SWEDEN

47. CANTAGALLO

48. THE VANISHING COAST

49. THE SHADOW OF PROGRESS

50. RUN AWAY TO SEA

51. THE CHOICE

52. TOEHOLD ON A HARBOUR

53. HIGHLAND PLAYGROUND

54. LAND RECLAMATION

55. VILLA ‘MON REVE’

56. JAPAN – SEASON BY SEASON

57. MULTIPLICITY

58. ENCHANTMENT OF CAPRI

59. ANCIENT MONUMENTS SERIES 1

60. THE DAIRY INDUSTRY

61. LIGHT

62. BOTH WAYS TO BALLYMENA

63. WELSH WELCOME

64. POWERBOAT ’66

65. BEHIND THE SPACEMAN

66. COLOUR TELEVISION

67. DIAVOLEZZA

68. FACES OF AUSTRALIA

69. THE CATTLE CARTERS

70. JAPAN – THE BEAUTIFUL

71. COUPE DES ALPES

72. TRANS CANADA JOURNEY

73. THE GOLD MINERS

74. OVERHAUL

75. RISK

76. OMNIBUS FOR ALL

77. NETWORK

78. A PLACE TO LIVE

79. ROYAL RIVER

80. AMONG THE PELICANS

81. SNOFARI

82. COLOUR

83. LURE OF THE BAHAMAS

84. KERMESSE FANTASTIQUE

85. SMALL SMOKE AT BLAZE CREEK

86. DIESEL TRAINRIDE

87. FOUR MEN OF INDIA

88. DEVON – A COUNTY FOR ALL SEASONS

89. THE GOLDEN CRESCENT

90. PROMISE OF PAKISTAN

91. ENGLISH GARDEN

92. ANCIENT MONUMENTS SERIES 2

93. DREAM OF NORWAY

94. LA COTE D’HIVER

95. NORTH-WEST 200

96. THE UNSPOILT LAND

97. THE GROWING FLAME

98. JAMAICANO PLACE LIKE HOME

99. THE YOUNG GIANT KAINGAROA

100. THE TIDE OF TRAFFIC

101. YOUTHFUL MARCH OF KOREA

102. PEMBROKESHIRE – MY COUNTY

103. ROUTE BURN

104. EXPO ’70

105. HOOK, LINE AND SINKER

106. BLOOD CAN WORK MIRACLES

107. BORGO a MOZZANO

108. PEOPLE + LEISURE =

109. ROSEWORLD ’71

110. L FOR LOGIC

111. THE COACH TRAVELLERS

112. EVENTFUL BRITAIN

113. THE RIVAL WORLD

300

279

269

264

250

244

217

195

185

184

171

169

168

166

160

154

153

152

149

149

149

148

148

148

147

147

144

143

137

137

136

135

135

134

134

130

130

126

126

116

116

115

114

114

113

113

111

111

111

108

105

104

101

98

94

93

88

84

81

80

80

75

72

72

72

72

71

71

64

64

62

62

59

59

57

57

57

56

54

53

52

49

43

41

39

38

37

36

34

34

33

32

32

32

32

31

31

30

30

29

29

26

26

21

21

17

9

9

8

5

4

2

1

 

It is no surprise to see “Paint” as the most shown TTCF – a long shelf life and regular play listing made sure of that.  It is pleasing that much of the top twenty is filled with firm favourites, though again familiarity through repetition goes some way to explaining enthusiast opinion. “Spring in Color” has a high positioning through its status as ‘king of the 12:23 slot’, a schedule it adhered to thoroughly during 1969. As for the bottom of the list, the classic “Rival World” only garners a single viewing during the main sequence, although a far different view will be seen below as we look at the pre-Golden Era.

 

THE PRE-GOLDEN ERA OF TRADE TEST COLOUR FILMS

 

Even though the time span for the ‘pre-scheduled’ showings of Trade Test colour films was nearly as long as the ‘main sequence’, there were far fewer films available for viewing, so some interesting anomalies come to light as we give the same treatment as above to this earlier period from 5th November 1962 to 20th August 1967.

 

1962 TOP 20:

 

1. A JOURNEY INTO THE WEALD OF KENT

2. MACHINES ON THE FARM

3. THE HEART IS HIGHLAND

4. SONG OF THE CLOUDS

5. THE RIVAL WORLD

6. THE CAPTIVE RIVER

7. CLEAN AIR

8. TRAWLER BOY

9. COUPE DES ALPES

10. THE POWER TO FLY

11. A QUESTION OF SPRINGING

12. JOURNEY INTO HISTORY

13. DIAVOLEZZA

14. SKYHOOK

15. BEAUTY IN TRUST

16. AN ACT OF FAITH

17. SEVERN WESTWARD

9

9

8

8

8

7

7

6

6

6

6

5

5

5

3

2

1

 

With only 17 films shown in the final two months of the year, the list already features many familiar numbers that will hover around these positions in the following few years before scheduled transmissions began.

 

1963 TOP 20:

 

1. THE CAPTIVE RIVER

2. A JOURNEY INTO THE WEALD OF KENT

3. SEVERN WESTWARD

4. THE RIVAL WORLD

5. COUPE DES ALPES

6. AN ACT OF FAITH

7. VIEW OF MIDDELHARNIS

8. SKYHOOK

9. DIAVOLEZZA

10. BEAUTY IN TRUST

11. MACHINES ON THE FARM

12. SONG OF THE CLOUDS

13. THE POWER TO FLY

14. TRAWLER BOY

15. A QUESTION OF SPRINGING

16. HANDLE WITH CARE

17. THE HEART IS HIGHLAND

18. CLEAN AIR

19. JOURNEY INTO HISTORY

20. DOWN TO THE SEA

271

128

111

107

100

92

91

84

81

81

79

76

70

67

65

64

52

52

44

37

 

In this early bumper year, the eye is drawn to the fact that during the summer a huge supporter of J. Blake Dalrymple locked himself into the ops room at the BBC and block-played “The Captive River” until he was rugby tackled to the ground, and eventually deported. What remains is the anomaly of the film having more showings in a single year than “Prospect for Plastics” managed in seven years of scheduled broadcasting! A few early favourites garner high places, although it is difficult, nay impossible, to find anyone who recalls these numbers: “Severn Westward”, “An Act of Faith” and “View of Middelharnis” ranking highly before diving back into obscurity.

 

1964 TOP 20:

 

1. COUPE DES ALPES

2. PROSPECT FOR PLASTICS

3. A JOURNEY INTO THE WEALD OF KENT

4. BEAUTY IN TRUST

5. THE POWER TO FLY

6. THE RIVAL WORLD

7. THE CAPTIVE RIVER

8. A QUESTION OF SPRINGING

9. SKYHOOK

10. SONG OF THE CLOUDS

11. PEACEFUL REVOLUTION

12. NETWORK

13. MACHINES ON THE FARM

14. ELECTRON MICROSCOPY

15. CLEAN AIR

16. ACROSS THE STREET, ACROSS THE WORLD 

17. PICCOLO, SAXO & Co.

18. SURF BOATS OF ACCRA

19. DIAVOLEZZA

20. CRANWELL

15

14

13

13

13

11

11

10

10